Here is my personal collection of what I consider some of (but not all of) the best sites for a photographer to use: Continue reading
The key to having an interesting photo is to have an interesting story about the photo. Every photo has a story. The story just must be thought out and written. That’s the hard part. I’ve made a template that I use and would like to share it and my thought process with you. Continue reading
Have you seen the photo that looks so real it almost comes off of the page or draws you into it? Have you seen one that gives you the sense of actually being there? Does it seem like you are there where the photographer was and now seeing it with your own eyes?
If you have, you’ve probably seen a photo that has one or more of the following qualities that make it look realistic. Continue reading
HDR (High Dynamic Range) image processing can be a powerful tool for the photographer. However, if natural-looking images are what you’re after, there are only a few (maybe only one) that actually work. Here’s my assessment from my experience with several programs. Continue reading
This happens: I get back to the computer and find that the shot I took is not sharp. I was shaking while taking the photo. Arrrrgh! But why? I’ll tell you my problems so you can avoid them yourself.
Here is a video showing my edit of one of my photos. In it, I show you the software I used, the basic techniques, and why I did what I did.
Watch the video in the player on this page, and switch to full screen to see better. HD also helps see more detail.
Thank you for watching!
Fall can be an incredible time of the year for photography. With vibrant fall colors of orange, red, yellow, brown, and green, these are the ingredients for some stunning photos. There are a few steps you can take to maximize your photo’s potential and get even better shots. Continue reading
I’ve read several photography books and here are my short reviews on some of them. I am mostly a landscape, nature, and travel photographer, so I have read more of these types of books than others, but there are books in here for any photographer that I would recommend! Continue reading
If you’ve ever submitted a photo to a stock photo site such as iStockphoto, Bigstockphoto, Fotolia, or any of the stock and microstock photo sites, then you may have heard from them that “your photo has artifacts.” But what are these “artifacts” they speak of? And, more importantly, how can you get rid of them?
Some Guidelines (from my experience)
“Expose to the right” has been a popular saying and method of exposure for digital photographers for years, and it works in some cases. I’ll show you how to go the other way and make it work also. Maybe the time of “expose to the right” is almost over (in some cases). Here’s why… Continue reading
What is a lens’s “sweet spot?”
Everybody wants sharp and focused photos. You can get good sharpness near to far in a photo by hyperfocal focusing, but what are the limits of sharpness of your lens? At what aperture (f-stop value) will you get the sharpest photos? This is also known as the “sweet spot” of the lens. Here is a simple test you can do to find out where your lens is sharpest. But first, some basic rules…
General Rules for Lenses
The rules are about the same for every lens. Here are the general ones: Continue reading
Why Copyright? Why not?
With the software for image processing and the cameras available today, is there any reason why someone would not apply copyright information to their photos? Why, yes, yes there is — it’s called “oversight” and “stupidity.” For as easy as it is, there really is no excuse not to apply your copyright to your images. Protect them. They’re yours.
I use Lightroom software to import and touch up my photos, and there is a provision for applying copyright information to the metadata of your image right at the point of import. I simply fill in the field that applies metadata and save it as my own preset. When the photos are imported from my camera into Lightroom, the copyright notice is automatically applied.
Vimeo is a video hosting platform similar to YouTube, but with much better video quality. I have started putting my videos on Vimeo because the user experience is so much better. True, there are not as many hits as on YouTube because YouTube is much more popular, but as a photographer I want the best picture quality in my videos. That better video quality available on Vimeo means I need to render or export my videos with the settings that work for Vimeo.
Vimeo Video Settings
Here are the settings I’ve successfully used: Continue reading
Many people have never even heard of “bit depth” so they don’t know what it means to them and their photography. Even if you have heard of it, maybe you don’t fully understand it. I didn’t, at first. Here’s what I have learned: Continue reading
To Re-work or Not to Re-work? That is the question.
Times change. Your expertise and the capabilities of your photo editing software do too. They improve. You can do more with a photo today than you could 6 months ago. But should you go back and re-work those “old” photos?
I’m interested in making the best landscape and nature photos that I possibly can. With that in mind, I thought I would look at two outstanding sites where great photos are displayed and see what the best photos there all have in common. Here’s what I found… Continue reading
The Sigma DP series of cameras have absolutely phenomenal image quality, but they output a proprietary RAW file (*.x3f) from the Foveon® system that makes them awkward to work with. Here’s how I get great photos out of this camera:
Do you like Maxfield Parrish paintings? Now, you can make any photo look almost like a Maxfield Parrish painting. Here’s how: Continue reading
GoPro has vastly improved its video converter and it is worth a look at using for all your GoPro camera videos. Continue reading
A Bold Statement
I’ll go against the crowd here when I say “first try the “auto” tone adjustment in post-processing your images.” Why? “Auto” has a good idea for you. Here’s how I use it… Continue reading
When it comes to your photos, how sharp is sharp enough? Almost everyone wants crisp, detailed photos without blur and in good focus. In addition some sharp edges look great in the right places. But how to achieve all of this? Continue reading
To watermark or not to watermark, that is the question. Often it is a good idea to put your name on the images you place on the internet – especially if they may be re-shared or, worse, stolen. Although theft is less likely that you think, it still happens and a benign way to prevent that and gain some peace of mind is through watermarking. Here’s how I do it and a few alternatives…
Ludington Michigan on the West coast of Michigan’s lower peninsula is a beautiful lakeside city. Sitting on the shores of Lake Michigan, it attracts visitors who are eager to get away from the cities and towns, and who are looking to enjoy the lake. This photo was taken on the beach at Ludington, late in the day.
I got down low for this shot because I really wanted to capture that look and feel of a late summer day on the beach. However, the land and sky were hardly cooperating with me! I made do though and here’s how…
GoPro Hero cameras are fantastic as movie cameras and also for taking still photos. The Hero 3 is the latest version and has options for 12 Megapixel Wide Angle, Medium Angle, or Narrow. The wide angle is by far the best for getting all of a scene in view, but the distortion around the edges is difficult to compensate and all objects appear curved toward the edges. Here is my formula for getting lens corrections in Lightroom for this camera. Continue reading
Sometimes a photo will have just too much of a particular color (color cast) or overall too much color such as from a polarizing filter. The Singh-Ray LB Color Combo filter sometimes does this to my photos and I have to “tone them down” in Lightroom. Here’s what I do to achieve more pleasing color in these types of images: Continue reading
Focus Magic is a piece of software that sharpens and de-blurs photos in a special way through use of sophisticated algorithms. Besides using it to repair photos that have blur or focus issues, I also sometimes use it as a final-pass item that punches up the sharpness. It’s another of my “secret weapons.” Continue reading
I’m sure you’ve see what you think are “over-saturated” photos — those with too much color. But how much is too much?
The traditional way to judge this is purely subjectively by your own opinion and taste. Maybe you like more saturation or maybe you don’t. Maybe it fits with a particular subject and not with others. There are many variables to this and each needs further explanation and a breakdown. You’ll see, you have some decisions to make and a few tools that will help you: Continue reading