Why Shooting Landscapes and Nature is Better at f/11 or Less

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Shot at 8mm, f/5.6 on an APS-C camera. The focal point was about 1/3 of the way into the frame at a point about 30 feet from the camera on the green grass where it meets the road.

Almost everything you will read will tell you that to have a great looking landscape shot it has to be sharp from front to back, and you have to shoot at f/16 or f/22 to get that.

Not true.

That is not how it works in the real world with your eyes, and it is not how a camera or lens should be used either. I’ll break this down and destroy this myth. Continue reading

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Review: The Sigma 8-16 mm Lens is Excellent for Landscapes

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Sigma’s 8-16 mm f/4.5-5.6 lens is the widest rectilinear lens made for APS-C sized cameras. This is the 35 mm equivalent of 12-24 mm. If sweeping landscape shots and front-interest images with tremendous depth are your things, then you’re going to love this lens.

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Storm Light

What is “Storm Light?”

“Storm light” is a special kind of outdoor lighting that occurs usually just after a storm has passed. The atmosphere is usually full of small particles of dust, rain, and ice, and this creates a unique coloration of the sky and land. It is one of the best, most difficult, most dangerous, and rarest of times to shoot landscape photos. Continue reading

Scouting Shots

Before setting out to shoot some photos, it is always a good idea to scout¹ out some locations that may produce great shots. The idea here is to go and find those spots where a great photo could be taken, so that you can set up and be ready to go when conditions are right and the photo is there for the taking! It is very similar to what good hunters do when they are preparing to hunt their prey.

“But where?”  I’m glad you asked. Here’s some ideas “where” and more importantly here’s “how,” “why”, and “when!” Continue reading