The Revenant is a film to be admired by fans of widescreen images. Emmanuel Lubezki created this by filming with an ARRI Alexa 65 6K camera and lenses of 12 to 21 mm. My desire is to deconstruct and replicate this in an APS-C dSLR and lenses.
Last Updated: 7-May-2020
Shot at 8mm, f/5.6 on an APS-C camera. The focal point was about 1/3 of the way into the frame at a point about 30 feet from the camera on the green grass where it meets the road.
Almost everything you will read will tell you that to have a great looking landscape shot it has to be sharp from front to back, and you have to shoot at f/16 or f/22 to get that.
That is not how it works in the real world with your eyes, and it is not how a camera or lens should be used either. I’ll break this down and destroy this myth. Continue reading
Sigma’s 8-16 mm f/4.5-5.6 lens is the widest rectilinear lens made for APS-C sized cameras. This is the 35 mm equivalent of 12-24 mm. If sweeping landscape shots and front-interest images with tremendous depth are your things, then you’re going to love this lens.
How to Take Great Night Photos
What a lot of people don’t know is that it is relatively inexpensive and easy to take great night photos. The Milky Way, stars, and Moon are all within your reach. You can get some extremely cool-looking photos of them without a lot of effort. Here’s how…
B&H Photo Video is my recommended vendor for any photography equipment. They are based in New York and have the best sales, selection, and customer service that I have experienced.
I’m interested in making the best landscape and nature photos that I possibly can. With that in mind, I thought I would look at two outstanding sites where great photos are displayed and see what the best photos there all have in common. Here’s what I found… Continue reading
GoPro Hero cameras are fantastic as movie cameras and also for taking still photos. The Hero 3 is the latest version and has options for 12 Megapixel Wide Angle, Medium Angle, or Narrow. The wide angle is by far the best for getting all of a scene in view, but the distortion around the edges is difficult to compensate and all objects appear curved toward the edges. Here is my formula for getting lens corrections in Lightroom for this camera. Continue reading
Consider the panorama next time you take a “normal” photo. Why? Because with some cropping, you can have a panoramic image quite easily and without stitching multiple photos together in specialized software!
With photos of high resolution (high megapixels), cropping the photo to be panoramic does not lose a lot of resolution. I call these types of photos “cropped panoramics.” When taking the photo, you have to have the panoramic image in mind and set up your composition accordingly. But, with some practice, this can be an easy way to get panoramic images into your portfolio without a lot of extra work!
For example: Continue reading
Here’s what I learned about photography from my recent trip to Yellowstone and the Grand Tetons!
I went there on vacation in mid-September, and it was the perfect time with the crowds gone and the elk running all over the place. The foliage was still green in low lands, but turning in the high lands where it had just frosted.
Before leaving, I was really wondering what gear to take to get the types of shots I wanted. So, I took everything I had. But here are the items that I really used, so maybe you won’t have to take so much stuff. Continue reading
There’s a (little used) technique that gets overlooked a lot that can drastically improve the look of your photos. It’s called hyperfocal focusing and requires an understanding of the hyperfocal distance. Continue reading
By “go wide” I mean go wide-angle. A wide-angle lens has some distinct advantages for certain types of photos: Continue reading